curryuku:

foervraengd:

elliotoille:

felt like doing a tutorial thingy (what should I call these??) again! I think I’ll make a tag for these in case I do more. This time I’m gonna talk a little about how angles affect how clothing falls aaaand stuff. here we go…
Given: The first drawing of these three is how the clothing naturally wants to fall, how it is made to be shaped. Or, whichever pose you could take that will give the garment the least amount of creases.
I’ll actually talk about the green first; this is a representation of the hip box, which itself is a representation/simplification of your whole pelvis area. You see how your legs and hip box oppose angles here. in almost all poses except standing straight, your hip box and legs will create a bent angle, which affects how clothes fall.
The red/blue is the skirt (obvs), the red specifically is the ellipses of the top and bottom openings of the skirt. This skirt is very stiff material for the sake of this example, so notice how the two ellipses always match eachother. the top ellipse is where the skirt is actually attached to the body, so it’s the boss; the bottom ellipse will more or less do exactly what the top one does.
here’s where the fact that the legs and hip box are at different angles becomes important. The top of the skirt is attached to the hip box, but the bottom ellipse is in the realm of the legs. The orange lampshade shape diagram there is a simplification of this. It is very much like if you were to tilt a lampshade. The side you are bending towards will hug the body and create creases. The side you are bending away from will fall off the body in a straight line.

It even works with pants, though as the bottom ellipse(s) gets farther away from the top there’s more room for the garment to get distorted by gravity, perspective, and bent knees and such. But with this last example you can really see how the side touching the legs really hugs the body underneath, whereas the other side hangs off of it in a straighter, crease-less line.
Dresses are a little different because their top ellipse is attached to your torso/ribcage mass rather than the hip box.

Much of the time you get the same result as with a skirt. However if the hip box and ribcage mass are opposed sideways rather than forward or backward, it becomes a little tougher:

You can see in the third drawing how a shirt and a skirt together would fall in opposite ways if your body is bent sideways. If the shirt is long, just like I mentioned above about the long pants, there is more distortion of this effect.
I’ll take what I said above, “The side you are bending away from will fall off the body in a straight line”, and add a bit to the end: “… until it hits something.” In the fourth drawing above, the garment is falling off the body in a straight line on the right side. If you lengthen the garment:

The straight side continues down as normal until it hits the leg and becomes the body-hugging side. in response to that, the body-hugging side from farther up becomes the straight side when it falls off the hip.
Aaand with that I think I’ll stop lol. I hope that wasn’t hard to understand. It’s easy to do yourself, just wear a skirt or some loose pajama pants and take hula poses in the mirror lol.

For all of you who have been longing for ME to make a tutorial about clothes, I truly recommend you to read this post. Since it covers the area in clothing that many other tutorials never mention, clothing is more than just “drawing folds and wrinkles”, it’s about knowing how the design and the behavior of our bodies affect it.
So yeah.
Read this. Please. It’s so easy explained.

rebloging for future reffs

curryuku:

foervraengd:

elliotoille:

felt like doing a tutorial thingy (what should I call these??) again! I think I’ll make a tag for these in case I do more. This time I’m gonna talk a little about how angles affect how clothing falls aaaand stuff. here we go…

Given: The first drawing of these three is how the clothing naturally wants to fall, how it is made to be shaped. Or, whichever pose you could take that will give the garment the least amount of creases.

  • I’ll actually talk about the green first; this is a representation of the hip box, which itself is a representation/simplification of your whole pelvis area. You see how your legs and hip box oppose angles here. in almost all poses except standing straight, your hip box and legs will create a bent angle, which affects how clothes fall.
  • The red/blue is the skirt (obvs), the red specifically is the ellipses of the top and bottom openings of the skirt. This skirt is very stiff material for the sake of this example, so notice how the two ellipses always match eachother. the top ellipse is where the skirt is actually attached to the body, so it’s the boss; the bottom ellipse will more or less do exactly what the top one does.
  • here’s where the fact that the legs and hip box are at different angles becomes important. The top of the skirt is attached to the hip box, but the bottom ellipse is in the realm of the legs. The orange lampshade shape diagram there is a simplification of this. It is very much like if you were to tilt a lampshade. The side you are bending towards will hug the body and create creases. The side you are bending away from will fall off the body in a straight line.

imageimage

It even works with pants, though as the bottom ellipse(s) gets farther away from the top there’s more room for the garment to get distorted by gravity, perspective, and bent knees and such. But with this last example you can really see how the side touching the legs really hugs the body underneath, whereas the other side hangs off of it in a straighter, crease-less line.

Dresses are a little different because their top ellipse is attached to your torso/ribcage mass rather than the hip box.

image

Much of the time you get the same result as with a skirt. However if the hip box and ribcage mass are opposed sideways rather than forward or backward, it becomes a little tougher:

image

You can see in the third drawing how a shirt and a skirt together would fall in opposite ways if your body is bent sideways. If the shirt is long, just like I mentioned above about the long pants, there is more distortion of this effect.

I’ll take what I said above, “The side you are bending away from will fall off the body in a straight line”, and add a bit to the end: “… until it hits something.” In the fourth drawing above, the garment is falling off the body in a straight line on the right side. If you lengthen the garment:

image

The straight side continues down as normal until it hits the leg and becomes the body-hugging side. in response to that, the body-hugging side from farther up becomes the straight side when it falls off the hip.

Aaand with that I think I’ll stop lol. I hope that wasn’t hard to understand. It’s easy to do yourself, just wear a skirt or some loose pajama pants and take hula poses in the mirror lol.

For all of you who have been longing for ME to make a tutorial about clothes, I truly recommend you to read this post. Since it covers the area in clothing that many other tutorials never mention, clothing is more than just “drawing folds and wrinkles”, it’s about knowing how the design and the behavior of our bodies affect it.

So yeah.

Read this. Please. It’s so easy explained.

rebloging for future reffs

Source: elliotoille

laserfury:

Lots of clean up being done recently, coming together nicely!

Oh my goodness, the animations here are so unbelievably good! Eeeeeeeeeeee

New Album Release which I did the art for!

shutthedord:

Computer Brain (new release, $5+)

This took only slightly too long to get made.

I could say pretty things about fire and ice and electrons, or about words and letters and sentences, or about light and darkness and liminal states. I could talk about the quantum gap, just perceptible, between now and after. I could talk about a web of wires spun thin across the planet and a web of radio waves spun even thinner. But I’m not enough of a poet.

Have this music instead.

New release (yes, again). $5, unless you’d like to pay more (thank you!) The album art is from Zerovirus and several of the track arts (for the tracks Neolithic, Synchronization, Age of Silicon and Escapist) are from Dalm. There are eight tracks in the album proper and a bonus track, so that makes nine tracks!

Publicity/sharing/signal boosts would be much appreciated. Thanks!

Oh, this album came out so fantastically. I had an amazingly fun time doing the album cover for this one! Everybody go buy this immediately.

Link to the 1:1 scaled version of the cover here! 

mrdeepay:

helpfulharrie:

Source: FOERVRAENGD

List of tutorials that helped me with environmental painting:
“How to make your own Perspective Grid in PS” <—- this one is the best thing I’ve ever discovered. Srsly CHECK IT OOOOUUUUT!
Snuffen’s Background Tutorial P1More or less ALL tutorials by Griffsnuff is awesome, so make sure to check out the rest of them!
More or less ALL tutorials made by AquaSixio!

List of youtube channels that also helped and inspired me:

FZDSCHOOL - More or less one of the most known concept art-related resources I know on youtube. It’s great to sit and draw and just listen to the talking.

SinixDesign- This guy is also great! He has some design workshops ever now and then where the viewers can send in their stuff for critique! very encouraging and inspiring!

moatddtutorials- This guy is more into drawing than painting, and has a more cartoony style. He has interesting methods when it comes to perspective. And he also challenge himself in some of his videos (the engine block video is a great example of this)

foxOrian- Also known here on dA for his awesome perspective and composition tutorials. He has a youtube channel where he posts some videos that might be interesting as well.

Reblogging, again, for personal reference when I try to draw something again.

Why don’t I just shut up and tag it quietly?  Because no.

Source: helpfulharrie

beerinabox:

FUCK I FOUND THE THING BURRIED IN MY FILES

I CANT BELIEVE WELLMANICUREDMAN NEVER SHOWED THIS TO ME, WHAT THE HELL MAN I FEEL BETRAYED

Fairy Lights (Single) (new release, $1+)

shutthedord:

image

Be careful where you step…

New release. $1, unless you’d like to pay more (thank you!). There are three tracks total. I think the extra ones are called a B-side?

Publicity/sharing/signal boosts would be much appreciated. Thanks!

Pluggin’ a friend’s music!

wellmanicuredman:

(x)

WHAT.

bluekomadori:

The tutorial of how I achieve watercolor effect in Sai! :) I highly recommend using real watercolor paintings (your own or ones found on the internet) as reference.

And here you can find a few useful links: 

  1. You can download the Sai file of this picture here: link 
  2. Video process of painting another picture: link
  3. The old watercolor tutorial: link
  4. Sai brushes (none of them is made by me) link + file you need to open them in Sai: link
  5. Awesome watercolor brushes made by Kyle T Webster: link

Here’s the finished painting: link

Source: bluekomadori

Setting idea: fairies in the Age of Industrialization

shutthedord:

Elaine “OJ” Wang: So there’s GURPS rules for creating, participating in, and running a union.
Elaine “OJ” Wang: That’s… kind of amazing.
Elaine “OJ” Wang: (this means that it is totally possible to run a game about labor in the 19th and 20th centuries)
Zuki: A game about labor sounds fun
Zuki: like, a period urban fantasy
Zuki: maybe less vampires and werewolves and more changelings and hedge-witches

(more setting brainstorming conversations under the cut)

Read More

In which I shamelessly steal ideas from Pratchett and Wildbow.

Edit: More ideas!

Read More

laserfury:

Testing the first round of attacking animations by TJ Thomas in engine! 

Animations!

laserfury:

Testing the first round of attacking animations by TJ Thomas in engine! 

Animations!

About

Pixel-artist with unhealthy obsession with mechas. I go by Drazelic here but I prefer to go by Zerovirus here and in other places.

My Pixeljoint: http://www.pixeljoint.com/p/23746.htm


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